每年的活动
摘要
Entry for the film Windlins in catalogue to the exhibition Nurture: Living in the Landscape Summer School and exhibition.
The definition of what constitutes a forest is complicated. This film attempts to imagine the idea of forest for Shetland, a place where the landscape is treeless. It considers forest as an idea, an experience of loss and renewal, a metaphor, and an image, as in a large number of vertical or tangled objects, such as a forest of sails and masts carried by fishing boats once visible around Shetland’s natural harbours, or the dense mass of the newly constructed forest of 103 wind turbines looming over Shetland’s north central Mainland today. It is an invitation to look, to see, to listen and to hear; to discover the world around us, to retrieve knowledge and culture lost with the disappearance of forests in Scotland, and Shetland, to better understand the forest and to learn how to overcome fear of the forest and be able to be within it. The duality of loss and renewal is embedded in the word ‘windling’, or ‘windlin’ in the Shetlaen language. It is a bundle of grasses, a sign of both end and beginning, of hope and renewal as the hay has been harvested and then secured in a bundle for positive, productive use. In dialect, however, it can also mean something which is torn off by the wind.
Artwork details: Digital film, looped. 00:02:30 mins (2023)
The definition of what constitutes a forest is complicated. This film attempts to imagine the idea of forest for Shetland, a place where the landscape is treeless. It considers forest as an idea, an experience of loss and renewal, a metaphor, and an image, as in a large number of vertical or tangled objects, such as a forest of sails and masts carried by fishing boats once visible around Shetland’s natural harbours, or the dense mass of the newly constructed forest of 103 wind turbines looming over Shetland’s north central Mainland today. It is an invitation to look, to see, to listen and to hear; to discover the world around us, to retrieve knowledge and culture lost with the disappearance of forests in Scotland, and Shetland, to better understand the forest and to learn how to overcome fear of the forest and be able to be within it. The duality of loss and renewal is embedded in the word ‘windling’, or ‘windlin’ in the Shetlaen language. It is a bundle of grasses, a sign of both end and beginning, of hope and renewal as the hay has been harvested and then secured in a bundle for positive, productive use. In dialect, however, it can also mean something which is torn off by the wind.
Artwork details: Digital film, looped. 00:02:30 mins (2023)
| 源语言 | English |
|---|---|
| 主期刊名 | Nurture |
| 主期刊副标题 | Living in the landscape summer school and exhibition |
| 编辑 | Elina Härkönen, Lotta Lundstedt, Kathryn Burnett, Mette Gårdvik, Roxane Permar |
| 出版地点 | Rovaniemi |
| 出版商 | University of Lapland Press |
| 页 | 38-39 |
| 页数 | 2 |
| ISBN(电子版) | 978-952-337-400-3 |
| ISBN(印刷版) | 978-952-337-401-0 |
| 出版状态 | Published - 13 11月 2023 |
联合国可持续发展目标
此成果有助于实现下列可持续发展目标:
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Affordable and clean energy
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Climate action
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Life on land
学术指纹
探究 'Windlins' 的科研主题。它们共同构成独一无二的学术指纹。-
The Landscape in Pain: Art for Shifting Relations with the Land
Permar, R. (Speaker)
18 3月 2025活动: Podcast or webinar
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Climate crisis, extractivism and social art practice in Shetland
Permar, R. (Speaker)
15 11月 2023活动: Oral presentation
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