摘要
Geographers have long been alert to the ways space matters to knowledge production and the stories participants choose to share. Despite such understandings, however, geographers remain surprisingly absent from discussions regarding the ways these concerns play out across online spaces. This article reflects on the employment of one online space, Facebook, as a site for storytelling in research exploring return journeys to two Australian festivals – the Big Day Out and Mardi Gras Parade. This article argues that insight over longer temporalities and shifting spatialities afforded through Facebook facilitates heightened understandings of the nuances, repetitions, differences and paradoxes of identities, encounters, and politics. Facebook, therefore, has the potential to allow for different ways of knowing that cannot be ascertained in more orthodox research spaces. Moreover, the slipperiness of conceptualisations of privacy and consent in this space draws attention to the necessity of understanding consent as fluid and ongoing, rather than antecedent to fieldwork commencement. Crucially, however, reconceptualisations of privacy and consent in this space expose potential obstacles university ethics committees may meet in responding to research moving online.
| 源语言 | English |
|---|---|
| 页(从-至) | 211-223 |
| 页数 | 12 |
| 期刊 | Geographical Research |
| 卷 | 53 |
| 期 | 2 |
| DOI | |
| 出版状态 | Published - 5月 2015 |
学术指纹
探究 'Using Facebook as a Space for Storytelling in Geographical Research' 的科研主题。它们共同构成独一无二的学术指纹。引用此
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