摘要
Marriage was a prominent ‘life-stage’ ritual linked to achievement of the hegemonic manly state in the period: it was associated with self-control and was seen as a stabilising force against the ‘follies of youth’. James IV (1488–1513), James V (1513–1542) and James VI (1567–1625)came to the throne as minors and their weddings provided particularly potent opportunities for shaping their identity both at home and abroad. Clothing was a crucial element of the social dialogue performed by both men and women in late medieval and early modern Europe. Dress, of the royal person and of others, was a mode of display in which all three monarchs invested heavily at the moment of their weddings. By offering a comparative analysis of the investment in sartorial splendour and the use of dress and personal adornment through a gendered lens, this article demonstrates how clothing and adornments were used to make statements about both manhood and royal status by three sixteenth-century Stewart kings attempting to secure their place in the homosocial hierarchy.
| 源语言 | English |
|---|---|
| 页(从-至) | 378-396 |
| 页数 | 18 |
| 期刊 | The Scottish Historical Review |
| 卷 | 100 |
| 期 | 3 |
| DOI | |
| 出版状态 | Published - 1 12月 2021 |
指纹
探究 '‘richesse in fassone and in fairness’: Marriage, Manhood and Sartorial Splendour for Sixteenth-century Scottish Kings' 的科研主题。它们共同构成独一无二的指纹。引用此
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