摘要
This short photographic essay emerges from the recognition that identity, landscapes and heritage landscapes in particular are rarely configured and conceptualised wholly linguistically. An affective and emotional charge can involve visual and tactile metaphors and mnemonics. This essay therefore
attempts to capture aspects of this visuality and material mnemonics while recognising the constraints imposed by the written word and the need to ask our interviewees to articulate the ‘material thing’ which most spoke to them of their ‘croft’. The heritage landscape that is the focus of this article
is that of crofting agriculture in the Scottish Highlands. What emerges between the word and the image is a strong sense of inheritance from the past validated by and made meaningful by work practices and deriving from a very particular land, task and seascape. Together, this constitutes a heritage from below and a sense of localised identity.
attempts to capture aspects of this visuality and material mnemonics while recognising the constraints imposed by the written word and the need to ask our interviewees to articulate the ‘material thing’ which most spoke to them of their ‘croft’. The heritage landscape that is the focus of this article
is that of crofting agriculture in the Scottish Highlands. What emerges between the word and the image is a strong sense of inheritance from the past validated by and made meaningful by work practices and deriving from a very particular land, task and seascape. Together, this constitutes a heritage from below and a sense of localised identity.
| 源语言 | English |
|---|---|
| 期刊 | Cultural Geographies |
| 早期在线日期 | 17 7月 2016 |
| DOI | |
| 出版状态 | Published - 1 4月 2017 |
指纹
探究 'People of the croft: Visualising land, heritage and identity' 的科研主题。它们共同构成独一无二的指纹。概要
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Iain James McPherson Robertson
- Centre for History - Reader in History
人员: Academic - Research and Teaching or Research only
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