This article pays attention to the ways in which Highland identity was co-opted and constructed through Renaissance court entertainments both at home and further afield in Europe. Analysis of the Tournament of the Wild Knight and Black Lady staged by James IV (1507/8) reveals the tropes of wildness and blackness to underpin a particular representation of Highland identity that is appropriated and adapted by the Stewart Crown. These associations are shown to be enduring, and championed by the Scottish Crown to negate a long established negative discourse of Northerness, albeit these pejorative resonances continue to resonate and are eventually displaced onto depiction of Irish national identity in court culture. Pitscottie’s description of the temporary hunting lodge constructed by the Earl of Atholl to host James V and the papal ambassador (1529), and Mary Stuart’s festival at Stirling Castle (1566) to celebrate the christening of her son, show the Scottish Crown’s deliberate evocation of the Highland characteristics of wildness to proclaim indigenous Stoic and martial virtues justifying Scottish imperial ambition to the North and South of the border.
|Number of pages||19|
|Journal||Renaissance Studies: Journal for the Society of Renaissance Studies|
|Early online date||31 Jan 2018|
|Publication status||E-pub ahead of print - 31 Jan 2018|
- Highland (Scotland)
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- UHI Inverness - Programme Leader, Drama
Person: Academic Research Active