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From A Drunk Man to Cencrastus: Escaping MacDiarmid’s Paradox

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Abstract

This chapter offers an innovative solution to the so-called “Scottish paradox” at work Hugh MacDiarmid’s epic poetry. By providing a fresh philosophical reading of A Drunk Man Looks at the Thistle (1926) and To Circumjack Cencrastus (1930), the analysis attributes MacDiarmid’s intellectual struggle to his dialectical grounding in various strands of German and Russian idealism—a set of influences which the present piece proceeds to criticise. Drawing on contemporary French materialist theory, such a critical approach concludes with a more positive resolution to “Scotland’s paradox”, charting fresh possibilities for the nation’s future development, away from MacDiarmid’s dialectical entrapment.
Original languageEnglish
Title of host publicationHugh MacDiarmid 1923-2023
Subtitle of host publicationVisions and Revisions
PublisherBrill
Pages121-151
Number of pages30
ISBN (Electronic)978-90-04-76246-6
ISBN (Print)978-90-04-76245-9
DOIs
Publication statusPublished - 17 Sept 2026

Publication series

NameSCROLL: Scottish Cultural Review of Language and Literature
PublisherBrill

Keywords

  • Hugh MacDiarmid
  • Scottish Literature
  • Caledonian Antisyzygy
  • Scottish nationalism
  • Russian philosophy
  • Modernism

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