Abstract
A robust challenge to a conventional wisdom which is characterised as not just misleading but flawed. An antithesis is offered based on a systematic assembling of a musicology - or 'organology' - never before available, and an analysis of the influence of Baroque instrumentation in Scotland and of neo-Baroque music-making.
| Originalsprache | English |
|---|---|
| Titel | Hearing Heritage |
| Untertitel | Selected essays on Scotland's music from the Musica Scotica conferences |
| Redakteure/-innen | M J Grant |
| Erscheinungsort | Glasgow |
| Herausgeber (Verlag) | Musica Scotica Trust |
| Kapitel | 1 |
| Seiten | 3-18 |
| Seitenumfang | 16 |
| ISBN (elektronisch) | 0-9548865-9-3 |
| ISBN (Print) | 0-9548865-9-3 |
| Publikationsstatus | Published - 31 Dez. 2020 |
Publikationsreihe
| Name | Musica Scotica |
|---|
Fingerprint
Untersuchen Sie die Forschungsthemen von „Raising the tone: the bagpipe and the Baroque“. Zusammen bilden sie einen einzigartigen Fingerprint.Profile
-
Hugh Cheape
- Sabhal Mòr Ostaig UHI - Course Leader Foghlam
Person: Academic - Research and Teaching or Research only
Dieses zitieren
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver