Place Names in Eddic Poetry

There have been few analyses of place-name usage in Old Norse poetry. We have the odd article discussing names in poems such as Ynglingatal (e.g. Noreen 1925; Åkerlund 1939; Vikstrand 2004) and, of course, the related Old English Beowulf and Widsið. There are many cases where single names found in eddic poetry have been commented on and etymologised, but no one has, to our knowledge, taken a holistic approach to this material. The personal names of gods, goddesses, giants, dvergar (pdwarfs’), etc. in the poems have attracted more interest (for an overview, see Mundal 1990). Our aims in this chapter are: first, to outline some of the material; second, to probe the meaning of the names (hence their etymology); and third, to see if there are any noticeable tendencies indicative of toponymic pgenres’, especially between the mythological and the heroic poems. It is impossible to cover all the place names mentioned in the Codex Regius here; therefore, we concentrate on three of the most important poems for mythological place names - Voluspá, Vafprúðnismál, and Grímnismál - taking them as samples which may enable us to draw some conclusions. One would expect the mythological poems to contain descriptive, fictional names, enhancing the mythic story, while in the heroic poems more preal-world’ place names might be expected, employed to situate the heroes within a European heroic past. The skaldic poems, in particular Ynglingatal, have many more place names; these add plausibility to the historical claims made in the poems, although the geographical designations may or may not be historically valid. Names comprise an important element of frœði, or mythological knowledge. Take Vafprúðnismál, a contest of frœði, for instance. The wisest of all giants asks his unknown interlocutor for four names: two personal names and two place names, and when he answers all four correctly, Vafprúðnir admits: fróðr ertu nú, gestr (Vm 19/1) (pwise you are now, guest’). Óðinn, on the other hand, asks for narratives instead: the origin of the cosmos, of earth, day, the seasons, and so forth, and then finally the details of ragnarok. In some cases the answers are little more than personal names, such as Vindsvalr, Svásuðr, or Hræsvelgr, but some of the narratives require toponyms.